The Myst series can be divided into two distinct parts. The installments we’ve examined so far make up what I call the “Atrus Arc,” and follow the story of Atrus and his family. The second category, the “D’ni Arc,” is focused instead on the D’ni civilization. The Book of Ti’ana is the ideal entry point for the latter, as it is the only entry in the series which takes place in D’ni during its heyday. This is the backstory bible to rule them all, and sets the stage for the D’ni-focused games that Cyan created after the completion of Riven.
The problem with the D’ni Arc in general is that it tends to focus more on world-building than on character or plot, and as a result these installments tend to be less successful than those of the Atrus Arc. This is not to say that they are without merit, however: any longtime fan will find a lot to enjoy in both The Book of Ti’ana and the games which build upon it. The Atrus Arc’s stories took place within within a specific universe, and the D’ni Arc, if nothing else, strengthens that universe.
The book opens to a scene of D’ni stonecutters hard at work on a tunnel to the surface. This is a mission motivated by pure curiosity: the D’ni arrived in the Cavern via the Art, so what lies beyond it is a complete unknown. Most of the storyline at this point revolves around the fact that the completion of the tunnel is dependent on the whims of D’ni politics (the project is controversial and many politicians want to end it). This is largely a false sort of tension, as the reader already knows from The Book of Atrus that the tunnel was eventually completed, and as such the sixty-plus pages the book devotes to the subject are often quite tedious.
Warning: Spoilers abound. If you haven’t read The Book of Ti’ana, I suggest you do so before proceeding. You can buy all three novels here.
We’ve reached the end of the Atrus-centric installments, which leaves only one direction to go: the backstory. Backstory is an important part of any fictional universe, as the additional details we learn from it add to the believability of the world overall. The Myst series, having created this vast edifice of D’ni to support Atrus’s story, has an almost infinite amount of space for additional backstory. We want to know more about D’ni, its inhabitants, and its history. Myst: The Book of Ti’ana, and our final two games, Uru and Myst V, give us a glimpse of the days before Atrus and the span of the D’ni society of old. As we move through the D’ni-centric arc, we’ll consider the following questions: can backstory itself be a story? If not, what does it take to make a backstory into a frontstory? Let’s begin.