“Take from the past only that which is good.” – Atrus
Popular culture has a remarkably short attention span, especially so in the world of video games. Talk to many video game enthusiasts and you’ll get the impression that a game released five years ago is ancient history, archaic as the Model T, something their grandparents played. Many people react to these antique games with something akin to disdain, as if they were discoveries from the back of the refrigerator. This is no doubt due in part to how closely games are tied to the forward march of computer technology; it is inevitable that a game from five years ago is going to appear graphically inferior to one produced today. That said, while games are dependent upon imperfect technologies, it is important to remember that the best games strive to transcend these limitations and excel despite them. This is the context in which we’ve been examining the Myst series: it’s twenty years old, placing it somewhere between Gilgamesh and Beowulf in video game years, but like any work from antiquity, it still has power and meaning worth examining. As we wrap up this journey, I want to take a final look back to consider what the Myst series accomplished, why it’s important, and what its significance will be in the future.
Here’s the formula: You play as a character with no name or personality beyond what you project onto it: essentially, you play as yourself. You are plunged into an unfamiliar environment, with no real understanding at first of the world or its characters. By exploring, you learn about the characters and their stories. Eventually you will encounter some of them, and in the end you will be asked to make a decision which will impact their lives. Along the way you will encounter obstacles which can be overcome by utilizing logic and clues found during your explorations. You are an active participant in a story. You are not the protagonist.