Last time’s dive into Wrinkle of Time was too much fun, so I had to do it again. For whatever reason, Ramona doesn’t seem to have had its covers reinterpreted as much as Wrinkle, but there are still quite a few, as usual spanning a range of good, bad, and indifferent.
These cartoony editions were quite popular for a while. I’ve never liked them. There’s a certain energy to the linework, but those beady little eyes give me the creeps. Unfortunately I’m not sure who the artist is. 3/10
Hoo boy but these airbrushed “photoreal” covers were popular in the 90s. (The Boxcar Children books all had them, too.) Most of my Beverly Cleary books were from this edition. I guess it must have been a real golden age for these artists, but it strikes me as pretty uninteresting now. And what is Beezus wearing? It’s not Easter, despite Ramona’s bunny ears. 5/10
While working on my review, I couldn’t help but notice that A Wrinkle in Time has had a bajillion different covers, of varying degrees of quality. Unfortunately I have no information about the artists behind most of these covers, but let’s take a look anyway!
Well isn’t this a delightful bit of van art! We’ve got Mrs. Whatsit as the centaur, the kids, an alien landscape, and some sort of misplaced line of emphasis under the word “in.” I give it a 6/10.
This was a very common edition when I was a kid. It was painted by Peter Sis, a peculiar Czech illustrator who produced some very strange children’s picture books. It’s an interesting image, although I’m not sure it really represents the book all that well. 5/10. Sorry Peter!
The Wind-Up Bird Chronicle by Haruki Murakami. Media: Sumi ink brush drawing with digital color. See original linework here.
Media: Watercolor, colored pencil, some minor digital alterations
Empire Falls by Richard Russo was a good book for me to read, because it’s well-written, but not so incredibly genius (read: Margaret Atwood) that it made me feel like giving up. Instead it tended more to inspire me to think that in time, I might be able to produce something equally good.
Still, the more I think about it (and I am still thinking about it) the more I see how ingeniously it was put together. I would certainly recommend it.
For purposes of practice and portfolio-expanding (and my interest in projects like Picture Book Report), I have challenged myself to create an illustration for every book I read this year. The first book I finished was my re-read of Shakespeare’s King Lear. Thus:
Ink and watercolor with minor digital modification.