Warning: Spoilers abound. If you haven’t played Myst V, I suggest you do so before proceeding. You can buy it at gog.com.
“What you still don’t understand, you have failed to hear or don’t need to know.” – Yeesha
“Consider it a ‘Myst’ opportunity.” – Esher
At long last, here we are. From the heights of the Fifth Age to the lows of Serenia, through Stoneship and Ahnonay, from the Cavern to Terahnee, we now gather for one last journey, one last quest. I begin to understand why Yeesha talks like that; it’s much easier to write than meaningful sentences, yet it still manages to sound profound.
All silliness aside, Myst V is the end, “the final chapter,” as the box proclaims. Considering how vast and varied a journey it’s been, wrapping it all up is a tall order. We have loose ends from Atrus’s family turmoils, we still don’t know Yeesha that well, the question of the Restoration is still in the air, and (of course) the Bahro. Naturally we also want to check out a few of our favorite old haunts, and see some new places as well. Myst V: End of Ages manages to hit a few of these notes. It has some nice character moments, some spectacular Ages, and the occasional pinch of nostalgia. Unfortunately, it also has some fairly serious flaws that drag down the experience considerably. Is it a fitting end for the series? Considering some of the high points we’ve seen, for the most part it isn’t. At best it’s a predictable end to the series, delivering most of the elements we’ve come to expect, both the good and the bad. Let’s begin.
Warning: Spoilers abound. If you haven’t played Uru, I suggest you do so before proceeding. You can buy it at gog.com.
“[L]ooking back at the others about the table, he smiled and raised his goblet. ‘To D’ni!’ he exclaimed. A dozen voices answered him robustly. ‘‘To D’ni!‘” – Myst: The Book of Ti’ana, pg. 142
“There’s a couple things that the fans will like. I think the first is the fact that they get to go to D’ni. And anybody who knows our stuff on a little bit deeper level knows that D’ni is someplace you want to go.” – Rand Miller, interview from Myst 10th Anniversary DVD Edition
Long before Uru was released, it was well-understood among the fan community that the game would finally allow players access to D’ni itself. This was, undoubtedly, the game’s strongest selling point among the fans. It was something of a disappointment, therefore, to find that Ages Beyond Myst offered only cursory glimpses of the Cavern: a couple small balconies, a rooftop, and a tiny office. Sure, you could catch a glimpse of Kerath’s Arch (a well-known D’ni landmark), but unless you were one of the lucky few who had access to Uru Live, D’ni seemed to be nearly as far away as ever. It wasn’t until the collapse of the multiplayer edition that the Cavern was opened to all, in the form of this first expansion pack, To D’ni. It was made available free of charge, which makes it clear that its intent is to grant D’ni access to as many people as possible following the demise of the online community. It’s not much of a game, per se, but it’s not really trying to be: we, the fans, wanted access to D’ni, and they gave it to us. In addition to that we also got some closure to the Uru Live storyline, a objective (albeit a somewhat dull one), and some foreshadowing of the expansion yet to come. Overall it’s somewhat impressive that Cyan Worlds managed to release something of this scope even while reeling from the destruction of its longtime labor of love, but the inescapable fact is that To D’ni‘s meager content is somewhat beaten down by its tedious and repetitive gameplay mechanics. To D’ni wanted to be more than a couple additional environments, but in actuality that would have been enough.
Warning: Spoilers abound. If you haven’t played Uru, I suggest you do so before proceeding. You can buy it at gog.com, and it’s actually on sale this weekend, so why not.
Imagine a new social network based on poems. The site will debut with a selection of original poems, and you and your friends will be able to read them and base your interactions on them. Gradually new poems will be added to the mix and the userbase will be able to slowly understand and help to build a narrative around the poems, creating a sort of living, breathing artwork. It’s a clever idea, and a couple poems released as teasers show that the site has a lot of promise. Sadly, however, when the site finally debuts, something has gone wrong in development. Instead of the vibrant scene you were promised, there’s just one page with a handful of poems. There’s not even anywhere to post a comment. The poems are still well-written, and you enjoy reading them, but you can’t shake the feeling that you could have been a part of something much bigger. Welcome to the beautiful and depressing world of Uru.
Warning: Spoilers abound. If you haven’t read The Book of Ti’ana, I suggest you do so before proceeding. You can buy all three novels here.
We’ve reached the end of the Atrus-centric installments, which leaves only one direction to go: the backstory. Backstory is an important part of any fictional universe, as the additional details we learn from it add to the believability of the world overall. The Myst series, having created this vast edifice of D’ni to support Atrus’s story, has an almost infinite amount of space for additional backstory. We want to know more about D’ni, its inhabitants, and its history. Myst: The Book of Ti’ana, and our final two games, Uru and Myst V, give us a glimpse of the days before Atrus and the span of the D’ni society of old. As we move through the D’ni-centric arc, we’ll consider the following questions: can backstory itself be a story? If not, what does it take to make a backstory into a frontstory? Let’s begin.
Warning: Spoilers abound. If you haven’t read The Book of D’ni, I suggest you do so before proceeding. You can buy all three novels here.
Myst: The Book of D’ni is not a particularly successful book. It doesn’t really have any characters, its plot is disjointed, and its events have little to no bearing on the rest of the series. I’ve slotted it into the fourth place here because its events take place between Riven and Exile, but in all honesty it could have gone anywhere; in fact, its presaging of the themes of Uru might actually make it more relevant there. These are the challenges when working with a book as disorganized as this one. Like Riven, The Book of D’ni is highly ambitious, but unlike Riven, it falls very short of its goals.
Warning: Spoilers abound. If you haven’t read The Book of Atrus, I suggest you do so before proceeding. You can buy all three novels here.
Myst: The Book of Atrus was published in 1995, well into the heyday of the original Myst but still two years before the release of Riven. It appears to set two basic goals for itself: to expand the backstory of the original game and set the stage for the new one. The book is credited to Rand and Robyn Miller, Myst’s foremost creators, with coauthor credit to David Wingrove, an SF writer previously known for Chung Kuo, a sprawling epic about a future in which Imperial China rules the world. (In true diehard-fan fashion, I attempted to read the first of these volumes, with no success.) As a work of literature, the novel is probably slightly better than your average science fiction novel, at least stylistically. As a part of the Myst canon, this novel (and the other two) form a sort of backstory-bible, one which became so integral to the series that the games eventually came to depend on it.