Perspective is always somewhat of a struggle for me, so I’m doing some experiments to see if I can come up with an elegant drawing style that might allow me to bypass the vanishing point entirely. These two drawings represent my first foray along these lines, so expect more as this develops. These are just based on some photographs I had on my hard drive; both depict the Willimantic Camp Meeting Association in Willimantic, CT. Fellow artists, please do weigh in on these.
I’ve been rereading The Phantom Tollbooth by Norton Juster, one of my favorite books as a kid. Naturally I can’t top the original Jules Feiffer illustrations, but I thought I’d try drawing some anyway. Here’s my take on Tock the Watchdog, who I’ve decided is a Doberman. More illustrations to come, maybe.
I’ve been experimenting with powdered graphite. The white is Conte crayon. The paper is simple brown butcher paper, which (I discovered) clings to graphite powder and will not let go of it even with rather vicious erasing.
The “pony” I found by the side of the road some months back.
The Wind-Up Bird Chronicle by Haruki Murakami. Media: Sumi ink brush drawing with digital color. See original linework here.
I’ve finally taken it upon myself to upgrade my workspace in some fashion, and yesterday I assembled and set up my new drafting table. It’s bigger than the old one, and has a glass surface instead of cardboard (it originally had a wooden surface, but it was too scratched-up to use). The lamp underneath the table allows it to double as a light box, which is something I rarely use, but it will be nice to have the ability now. I also bit the bullet and ordered some more bristol board, which I will now use for Sunrise as well as Realm. That’s a new page of Sunrise you can see on the table. In summation, good improvements all around… hopefully they’ll have a positive effect on the work!
Well, it’s been another year. Sunrise officially began on February 12th, 2008, when this horrible-looking page was posted to the then-very-rough website I’d set up at the time. (The cover of Issue 1 appears to have been posted the day before, but was actually posted somewhat later, with the date adjusted to ensure correct position in the archive.) Now, some 230 pages later, it seems like a good time to look back and see what I’ve learned from this little experiment.
Technically I read this last year. The Crying of Lot 49 by Thomas Pynchon is a much, much different book than King Lear, so a different kind of illustration presented itself. This one’s a bit more like a book cover, too. I dunno. It was hard to think of something appropriate for this book. On a side note, hands are too hard to draw.
Media: Pigment liners with digital color
For purposes of practice and portfolio-expanding (and my interest in projects like Picture Book Report), I have challenged myself to create an illustration for every book I read this year. The first book I finished was my re-read of Shakespeare’s King Lear. Thus:
Ink and watercolor with minor digital modification.
Lots of updates to the site.
First and foremost is Flashlight, the photo series formerly known as Glimpse. The entire series is online now, so do check it out. (I hope to make a “behind-the-scenes” post at a later time.)
Also note the new header, in which I experiment with the logo I designed recently (never before seen online).
Oh, and there’s a new page of Sunrise too. Read it >
After my final critique with my professor I will post the final lineup of images from the project online. In the meantime, here is a sneak preview: